EXTREME PRIVATE EROS: LOVE SONG 1974 (1974)
It’s almost trite to say Kazuo Hara’s second documentary ‘crosses boundaries,’ since every documentary is on some level about the fact that it’s a documentary — forcing you to consider the author, the subject, and yourself as participants in the documentation. That said, EXTREME PRIVATE EROS: LOVE SONG 1974 is remarkably intimate, covering the years following the director’s breakup with Miyuki Takeda as she embarks on a journey of self-discovery. As they both chart new courses in life — him with his new girlfriend and fellow filmmaker, Sachiko Kobayashi; her exploring sexuality, taboo relationships, parenthood, and many forms of self-expression — they remain the shared subject of a film so personal, so volatile, that it’s almost violent. Give to these causes in need during ICE’s occupation of Minnesota: @sanctuarysupplydepot: Mutual aid group in Mpls getting basic necessities to our houseless neighbors https://linktr.ee/sanctuarysupplydepot Support Minnesotans defending their communities from ICE: https://www.standwithminnesota.com/ @mplsmutualaid: Clearinghouse of mutual aid for our neighbors: https://linktr.ee/mplsmutualaid ISAIAH, an interfaith group fighting for racial and economic justice in MN: https://secure.everyaction.com/G8TCnxFlE0qd9zlUEYjjeg2 Show love to North Minneapolis families in crisis: https://www.gofundme.com/f/show-love-to-north-minneapolis-families-in-crisis References: “Okinawa, Baby: Exploration, Exes, & Extreme Private Eros” by Chelli Riddiough for Perisphere, the Trylon blog “Give to the Trylon’s Film Forever Fund so they never have to increase ticket prices! Check the calendar, preview upcoming series, and buy tickets Contribute to Perisphere, the Trylon blog #TheUndiscoveredGeniusOfKazuoHara #DCP Follow us on Twitter at @trylovepodcast , Bluesky at @trylovepodca.st , and email us at trylovepodcast@gmail.com to get in touch! Show art by Emily Csuy . Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro: “I Gotcha” by Joe Tex as heard in EXTREME PRIVATE EROS: LOVE SONG 1974. Timestamps 0:00 - Episode 366: EXTREME PRIVATE EROS: LOVE SONG 1974 (1974) 2:28 - The Patented Aaron Grossman Summary 3:35 - Aaron doesn’t like documentaries 12:51 - The work of Kazuo Hara 19:43 - The “point” of documentaries 24:07 - “Narrativerite” and a sense of “antagonism” 34:25 - Miyuki Takeda 41:35 - “Violence” and the “peaks” that end up on film 48:37 - LOVE SONG 1974 as a breakup movie 56:57 - How Miyuki is presented to the audience 1:05:07 - The Junk Drawer 1:12:23 - To All the Loves We’ve Tried Before: 1974 1:24:22 - Cody’s Noteys: The House of Champions: 1974 (a bracket to choose the best film of 1974)