The Rather Strange Last Day In The Life of John Lennon

First, the facts as they are known John Lennon was born in 1940 and died in 1980, 2 months after his 40th birthday. It's fair to say that he packed a lot of living into his half-a-lifetime, and it's also universally acknowledged that his death in New York on Monday December 8th 1980 came as a huge shock worldwide, prompting a mass outpouring of grief which seemed to be particularly strong in America, more so than in England, the place of Lennon's birth. Inevitably, there have been rumours about whether it really was a 'lone assassin', as seems to be so often the case in high-profile American murder cases, or another hand, but it's fair to say that Lennon and Yoko Ono almost certainly didn't know that anything out of the ordinary was going to happen on that day. What's also strange about that day is that it seemed to play out as both a microcosm of and epilogue to Lennon's life, as will be seen. It might be expected that on an otherwise ordinary day in the life of a rock superstar, the star himself would not be particularly visible, and we probably wouldn't have photos of him, audio of his voice or a picture of him signing an autograph for a fan, but we have all three and more. Lennon's movements on that day, up to the moment of truth, are now well-known . He started the day with coffee at La Fortuna, a favourite local cafe of his, and the events of the rest of the day make quite eerie reading in retrospect. The haircut Fairly innocuous in itself, but Lennon happened to choose this day to have a throwback 50's-style, faux Teddy Boy haircut, as well as wearing a leather jacket throughout the day. The 50's were his years of teenage development, the seminal period of his life, and his love for Elvis, Chuck Berry, Little Richard and the rest were some of the main reasons why ultimately The Beatles happened. He had recently taken to wearing his old school tie, and had recorded his comeback single, (Just Like) Starting Over, in a vocal style that he called 'Elvis-Orbison'. The photoshoot In the late morning, John and Yoko did a photo session with well-known New York photographer Annie Liebowitz. Easily the most famous shot to emerge from this session was one of a fully-naked John Lennon in a foetal embrace with a fully-clad Yoko Ono. 'That's it!, that's our relationship' said Lennon after the photo had been posed for. The idea of being a naked 'artist', both literally, artistically and spiritually, had been perhaps the second great theme of his life and work, after rock'n'roll. In the mid-60's, after the thrill of Beatles fame had long since become more of an empty irritation than a glorious thrill, he had gone into a drug-addled period of seclusion, broken only by Beatle commitments, before he started a relationship with Yoko who, like her or hate her, did seem to bring him back to life. From then to the end of his life, he considered himself an artist, open to ideas and willing to lay himself bare, literally or otherwise, before his audience. He had of course been pictured naked before, with Yoko in a similar state, for the cover of their barely-listenable 'concept art' album, 'Two Virgins'. At that time, the picture seemed to be of two people reduced to a child-like state of innocence in the glow of their new love, but 12 years later, with Lennon alone in the virginal state and having dubbed Yoko 'mother' some years back, the balance of power in their relationship seemed clear. John and Yoko had also recently shot a video of them naked, simulating love-making, to promote one of their latest songs. The interview Between 1-4pm on December 8th 1980, Dave Sholin became the recipient of John Lennon's final interview, held in one of the vast rooms of John and Yoko's many apartments in the Gothic Dakota building, located at West 72nd Street, New York, and formerly the setting for the film 'Rosemary's Baby', made in 1968 by Roman Polanski. One year after the film, Polanski's pregnant wife Sharon Tate was butchered by the Manson family, wh