Eavesdropping at the Movies

Film, TV & Pop Culture

About

"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and we

Episodes

  • 475 - Exit 8

    Most videogames that receive cinematic adaptations are big - the likes of Uncharted, Minecraft, Sonic the Hedgehog and Resident Evil, all of which have been adapted, some several times, are among the biggest games in history, and their cin…

  • 474 - Rose of Nevada

    Eavesdropping at the Movies reviews Rose of Nevada, noting its thematic similarities to Mark Jenkin's Bait but finding it less forceful due to reliance on setting over plot. The episode critiques the film's storytelling, characters, and di…

  • 473 - Project Hail Mary

    This episode reviews the film Project Hail Mary, noting its similarities to The Martian and praising the directing, scientific themes, and entertainment value, despite a slow ending. It also discusses Ryan Gosling's stardom.

  • 472 - Sirât

    This episode of Eavesdropping at the Movies discusses the film Sirât, highlighting its deliberate pacing, immersive tone, and the director's control in drawing viewers into the emotional core of the story. It explores themes of loss and un…

  • 471 - The Secret Agent

    Eavesdropping at the Movies discusses Kleber Mendonça Filho's film "The Secret Agent," a depiction of political corruption and persecution in 1977 Brazil under military dictatorship. The hosts debate the film's pacing and explore its theme…

  • 470 - Wuthering Heights (2026)

    Eavesdropping at the Movies reviews Emerald Fennell's "Wuthering Heights" (2026). The hosts discuss the film's visual expressiveness, confident tone, and the complexities of Cathy and Heathcliff's relationship, while also examining its fem…

  • 469 - Send Help

    Send Help sees Rachel McAdams marooned on a desert island with her asshole boss in a cartoonishly gory comic adventure the likes of which made director Sam Raimi's name. We discuss how feminist it really is - at the very least, it's a blok…

  • 468 - Pillion

    Possibly the sweetest and lightest gay BDSM biker film ever made, Pillion opens up conversations on power dynamics, consent and boundaries, and made Mike cry. Everything about it is so assured, particularly Harry Melling's understated prot…

  • 467 - It Was Just an Accident

    One of Iran's most celebrated filmmakers, Jafar Panahi, has spent the last quarter of a century in conflict with the Iranian government, which objects to his films' criticisms of their actions and the wider social conditions in the country…

  • 466 - Nuremberg

    Russell Crowe shines in Nuremberg as Hermann Göring, who became the face of the Nazi Party following Hitler's suicide and the end of the war, as he's held in custody and probed by a psychiatrist as the titular trials approach. Indeed, whil…

  • 465 - Die My Love

    Jennifer Lawrence gives a career-best performance as a new mother struggling with depression and a rocky relationship in Die My Love, directed by Lynne Ramsay, whose remarkable instinct for tone and atmosphere shouldn't be taken for grante…

  • 464 - Bugonia

    Yorgos Lanthimos' fourth collaboration with Emma Stone yields a darkly comedic thriller about two conspiracy theorists who kidnap a CEO, determined to reveal the truth that she's an alien from Andromeda. We've all at least considered it. W…

  • 463 - Frankenstein (2025)

    Another classic Gothic horror is remade for the modern age: first we saw Robert Eggers' Nosferatu, and now Guillermo del Toro brings us his adaptation of Frankenstein. Like Nosferatu, Frankenstein is astonishing to look at, and, like Nosfe…

  • 462 - Tron: Ares

    Far from an outstanding film, but amazing to look at and too much fun not to recommend, we had a great time in Tron: Ares, which reverses the reality-computer interface that brought humans into the digital world in the previous two films;…

  • 461 - One Battle After Another - Second Screening

    We're joined by our resident Paul Thomas Anderson expert (and Mike's brother), Stephen Glass, to whom we've previously spoken about Phantom Thread and Licorice Pizza, for another discussion of One Battle After Another. Stephen's seen it in…

  • 460 - The Smashing Machine

    Mike isn't impressed with The Rock's attempt to take on a dramatic role in an intimate biopic after decades of popcorn blockbusters, seeing it as Oscar bait. José doesn't share his cynicism and likes the lead performance. We discuss what T…

  • 459 - A Big Bold Beautiful Journey

    A Big Bold Beautiful Journey, directed by former video essayist Kogonada, is beautiful to look at and very likeable, but derivative and ultimately unsatisfying. We discuss its lighting, its attitude towards people's histories and the memor…

  • 458 - The Long Walk

    Cheap, simple, high-concept and reasonably graphic, The Long Walk is a throwback to the days of the B-movie. In its dystopian, totalitarian version of the USA, an annual event, the Long Walk, is designed to inspire a work ethic and nationa…

  • 457 - One Battle After Another

    By far Paul Thomas Anderson's most expensive film, with a budget some four or five times what he's used to, and probably his most accessible, One Battle After Another entertains us enormously and effortlessly without sacrificing the comple…

  • 456 - Together

    Commitment is scary. It's especially scary when you drink water from a cursed puddle that wants to make a hybrid of you and your partner. Together tells the story of a couple moving to a new countryside home during a questionable period in…

  • 455 - Eddington

    Most film and TV has quietly agreed to pretend that the Covid pandemic never happened. Perhaps it's too awkward to discuss it. Perhaps it'll date your work. Writer-director Ari Aster doesn't share these worries, telling a story about the d…

  • 454 - Weapons

    One of the most hotly-anticipated horror films in recent memory, Weapons begins with seventeen third-grade children in a Pennsylvania town mysteriously waking up at 2:17am one Wednesday and running from their homes into the darkness. The s…

  • 453 - The Shrouds

    A psychosexual thriller that's neither psychosexual nor thrilling enough, The Shrouds is a disappointment. There's great promise to businessman Vincent Cassel's invention of a technologically advanced shroud that creates a 3D model of the…

  • 452 - The Ballad of Wallis Island

    Mike loves Tim Key. This much has been true for some time, and he's thrilled to discover that the comic poet's unique approach to wordplay and social interactions finds a natural place on the cinema screen, in the character of an eccentric…

  • 451 - Friendship

    We talk adult male friendships, stress and surreality in our discussion of Friendship, in which oddball everyman Tim Robinson finds himself enamoured with effortlessly cool new neighbour Paul Rudd, but lacks any of the social nous to natur…

  • 450 - The Naked Gun (2025)

    The Naked Gun is rebooted with Liam Neeson in the part that was once Leslie Nielsen's, and he shows just how hard comedy can be. We discuss everything the film gets wrong. If only they'd asked us for help. Recorded on 4th August 2025.

  • 449 - Bring Her Back

    YouTubers-turned-directors Danny and Michael Philippou demonstrate a real eye for visual design and an ability to create imagery to truly disgusting effect in Bring Her Back, in which Sally Hawkins plays a foster parent whose daughter's de…

  • 448 - Jurassic World Rebirth

    The seventh instalment in the Jurassic Park (now Jurassic World) series, Jurassic World Rebirth might be the first of the sequels to really come close to capturing the kind of wonder, excitement and horror that the 1993 original offered. T…

  • 447 - Superman (2025)

    DC, which for the best part of two decades has failed to put together a cinematic universe of comic book adaptations to rival Marvel's MCU, regroups and goes again with director James Gunn in charge of what will be known as the DCU - and w…

  • 446 - F1

    Hollywood collaborates with the FIA, the motorsport governing body, to try to convince us that Formula One is not, in fact, televised Microsoft Excel, but actually very exciting indeed. To this end, it brings in accomplished genre action d…

  • 445 - Riefenstahl

    In the 1930s, Leni Riefenstahl infamously directed two propaganda films, Triumph of the Will and Olympia, for the Nazi Party. For the rest of her life, which ended in 2003, she denied knowledge of the regime's crimes, including the Holocau…

  • 444 - Mission: Impossible - The Final Reckoning

    A wide-ranging discussion follows the release of the final Mission: Impossible film... perhaps. José doesn't believe that they'll stop making them, nor does he want them to, but he is glad that Tom Cruise appears to be hanging up his boots…

  • 443 - Final Destination Bloodlines

    The slasher series without a slasher returns for its sixth instalment, fourteen years after we last saw it. Where Halloween gave us Michael Myers, Friday the 13th, Jason Voorhees, and A Nightmare on Elm Street, Freddy Krueger, Final Destin…

  • 442 - Sinners

    Sinners, written and directed by Ryan Coogler, is a horror musical set in 1930s Mississippi, shot in part on IMAX 70mm film, starring Michael B. Jordan as a pair of identical twins who return to their hometown for a new start, only to enco…

  • Eavesdropping at the Movies: In Conversation at the University of Warwick

    What a joy! We were delighted to be invited to the University of Warwick Film and Television Studies department for a conversation with James MacDowell about Eavesdropping at the Movies: how it began, why we do it, what we get out of it, h…

  • 441 - Ne Zha 2

    Over the last couple of months, Chinese children's fantasy Ne Zha 2 has quickly, and arguably quietly, become the fifth-highest-grossing film of all time, and the first animated film to gross over $2 billion. It's hard to keep up with the…

  • 440 - Mickey 17

    After a little time off, we're back at the cinema to see Bong Joon Ho's sci-fi comedy, Mickey 17, in which Robert Pattinson dies. Repeatedly. Leaving Earth on a spaceship seeking to colonise an icy planet, Pattinson's Mickey is an "Expenda…

  • 439 - The Brutalist

    We visit BFI Southbank for a 70mm screening of The Brutalist, Brady Corbet's epic period drama. It's a super-sized film - 215 minutes, not including the intermission - and it deserves a super-sized podcast, for which we're joined, as we oc…

  • 438 - Presence

    "Steven Soderbergh's making a horror film from the perspective of the ghost" turns out to be a sentence specifically designed to appeal to Mike, who has been looking forward to Presence for ages. (José struggles to remember the film's titl…

  • 437 - Babygirl

    Nicole Kidman gives a compelling, vulnerable performance in Babygirl, as a woman for whom sexual satisfaction requires her to relinquish the power she otherwise projects throughout her life, and who begins an affair with a much younger man…

  • 436 - Maria

    The third film in Pablo Larraín's trilogy of iconic women, following 2016's Jackie and 2021's Spencer, Maria shows us the final week of the life of opera singer Maria Callas, who at the age of 53 is experiencing delusions, hallucinations,…

  • 435 - Nosferatu (2024)

    Writer-director Robert Eggers, whose reputation for aesthetically rich, deeply-researched and idiosyncratic horror precedes him, has long been working on a remake of F. W. Murnau's Nosferatu, the 1922 German Expressionist classic whose inf…

  • 434 - Conclave

    You wait for ages for a film about a group of people sequestered in a room, questioning each other, keeping secrets, and repeatedly voting, and two come along at once. But while Juror #2's protagonist wrestled with his conscience, Conclave…

  • 433 - Juror #2

    A film whose brilliant conceit is so simple and compelling we can't believe we've never seen it before, Juror #2 tells the story of a juror whose responsibility it is to assess the guilt of a defendant who he knows is innocent of murder -…

  • 432 - Heretic

    Hugh Grant brings his idiosyncratic brand of English charm to the world of horror in Heretic, in which he isolates and tests the faith of two young Mormon missionaries. It's a film that leaves you asking all sorts of questions, such as, "d…

  • 431 - Venom: The Last Dance

    We enjoyed the first. We didn't care for the second. Does the third bring back the fun? No, not really. Recorded on 17th November 2024.

  • 430 - Gladiator II

    Ridley Scott returns to Gladiator after more than twenty years, telling a story that's broadly the same, but neatly picks up from the original too. Gladiator II stars Paul Mescal in the central role, and we discuss whether he has the movie…

  • 429 - Joker: Folie à Deux

    2019's Joker, which gave the iconic supervillain an all-purpose mental health disorder, a tragic origin story, and a name - Arthur Fleck - was never meant to have a sequel. But it made a billion dollars, so Joker: Folie à Deux is here. And…

  • 428 - Megalopolis

    Francis Ford Coppola's long-awaited passion project, Megalopolis, self-funded to the tune of $120m, has finally arrived. We love it. It's wild, imaginative, earnest, and beautiful. We discuss and decry some of the criticisms of it we've al…

  • 427 - Alien: Romulus

    A welcome new instalment in the Alien franchise, which has moved between genres and directors, remained popular for over four decades, and offered fascinating expansions of its internal mythos, Alien: Romulus moves with the times to give G…